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CRI, R9 and TLCI: Understanding LED Color Quality

2026-09-21 · TYANSHINE Engineering Team

CRI is the most quoted — and most misunderstood — LED color metric. For professional lighting, CRI alone is not enough: R9 and TLCI tell you what CRI hides. This guide explains all three and how to use them when sourcing COB LED modules.

CRI (Color Rendering Index): The Baseline

CRI (Ra) is the average fidelity of a light source in rendering the first eight pastel test colors (TCS01–TCS08) versus a reference illuminant of the same CCT. Scale 0–100.

  • What it's good for: rough comparisons of overall fidelity in general lighting
  • What it misses: saturated colors — notably red. A CRI 90 source with terrible red rendering still scores CRI 90.

R9: The Red Metric CRI Hides

R9 measures fidelity for the ninth test color: saturated red. It is excluded from Ra — and it is precisely the wavelength region where phosphor-converted LEDs are weakest.

R9 valueVisible result
< 20Skin looks gray/flat, reds turn brown — common in cheap high-CRI claims
40–70Acceptable for architectural; marginal for camera
> 90Professional film/broadcast grade; skin and fabric render naturally

Always ask for R9 in writing. TYANSHINE tunable white COB platforms specify R9 alongside CRI (up to CRI 98) for camera-critical configurations.

TLCI: What the Camera Sees

TLCI (Television Lighting Consistency Index) was developed by the EBU for broadcast. Instead of human observers, it models a standardized television camera and reports the correction a colorist would need.

MetricObserverUse case
CRI / RaHuman eye, pastel colorsGeneral and architectural lighting
R9Human eye, saturated redSkin-tone quality check
TLCIStandardized TV cameraBroadcast and film fixtures
TM-30 (Rf/Rg)Modern color science, 99 colorsFuller fidelity (Rf) + gamut (Rg) picture

A fixture can be CRI 95 and still TLCI 70 — meaning visible grading effort in post. High-end film fixtures target TLCI ≥ 85–90.

TM-30: The Modern Complement

IES TM-30 reports Rf (fidelity, like an improved CRI over 99 color samples) and Rg (gamut area: >100 means saturation is increased, <100 muted). Rf/Rg together describe both accuracy and character of the light — useful for cinematic “look” decisions, not just fidelity.

Practical Sourcing Rules

  1. Never accept “CRI 90+” alone — request CRI, R9 and (for camera fixtures) TLCI at your operating CCT and Tc
  2. Check the whole CCT range for tunable white — R9 at 2700K says nothing about 6500K
  3. For color fixtures, fidelity metrics apply to the mixed white, not the saturated primaries — ask for gamut data (see RGB vs RGBW vs RGBLAC)
  4. Beware CCT-shifted claims — CRI must be measured against the reference at the same CCT

TYANSHINE provides CRI, R9, TLCI and TM-30 data for its professional COB platforms. Explore high-CRI tunable white COB or read how MacAdam binning keeps these numbers consistent unit-to-unit.

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